Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] worldly concern Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic festal , military personnelkind Landscapes from My Country , Nazim Hikmet dropd the comparison amidst design and disposition very often . The imagery of applied learning that is limned in this novel searchs to clash with nature Through the use of many an separate(prenominal) unalike images such as the train and glance over Hikmet expects to portray engineering as the antagonist of nature . These imageries suggest how engineering science would destroy and would annihilate nature with its purlieu as engine room progresses . However , after a closer reading into the novel , Hikmet actually suggest that applied science as a optimistic aspect that will at last improve clement lives . peradventure sacrifices and mistakes argon necessary as these be natural occurrences that ar expected to happen as technology progresses . Although the cost of technology may seem to be dreadful , it is a necessary step for the remedy time to come of human livesLiteratureContemporary register on a panoramic overcome is taken up in Human Landscapes , which was written during the compose s prison years solely was only published some(prenominal) years after his demise . Beginning with the project for an epical study of Turkish hi leg determination during the twentieth atomic number 6 , at intervals the poet s narrative also turns to study events in bordering regions , nonably naval action of adult male fight II in the Mediterranean and the hightail it of Soviet forces against Nazi invaders . His com mentary on the Turkish War of independence (1919-1922 ) stands in crude(prenominal) contrast to the heroic guinea pig themes repeatedly invoked by other of that period . In Hikmet ! s tidy sum , it would seem that the populate as a all told contri still nowed to final triumph scarcely only through an inchoate mass bring forward that did not also fit to a social revolution . Indeed , many passages suggest that class differences remained acute that were altered by Turkey s changed status in the human beingss gentleman scrimping . there ar a number of sanctioned brief sketches of individual lives , both from the wealthy and from the lower s , often to state unpleasant truths round the people s biography point . Some characters , it is recorded , died of disease at wee ages out-of-the-way(prenominal)mers kept up(p) their land precisely lost all core of output . Many of the personages are war veterans from one conflict or another . There is much attention to dates , but not in the sense of commemorating events with patriotic connotations primary(prenominal) occurrences in individual lives are accorded the same emphasis as major developme nts in the nation s historyThere is also a bewitching core of random , seemingly senseless violence Family quarrels lead to rack up after a man kills his married woman , children use the manoeuver as a ball in a sorry game . A wrenching , gripping scene records the kill of a Turk who had collaborated with the British occupation forces . There are to the highest degree sardonic religious references which call to approximation folk superstitions in some later passages , Turks of a pro-German cutpurse speculate about whether Adolph Hitler could be a Muslim . tip Turkish statesmen and thinkers approach pattern as portraits on the walls of chore routines the memories associated with them are quirky bits of picture show that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed argue , social classes . subsequently nearly cardinal years of national independence , homeless and desperately empty-b ellied men are to be found outside a news office if w! ealthy businessmen cannot turn a profit in some classes of the export trade , because of regimen restrictions , they move quick to other sectors where their fortunes can be increase . Some of them end up dealing with both the associate and the Axis powers during foundation War II . The incidence of self-annihilation on both side of the class divide is slightly high among the lowly childbirth is difficult , painful , and sometimes ends in cataclysm Although this exercise in historical naturalism , based on the author s own observations of Turkish bearing , does not seem to hold out any flying hopes for a dampen future , the poet s s of nature and unproblematic joys serve to turn out an otherwise grim and unsentimental saga (Des Pres 7-25Written in free poesy and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of numbers with the rapid-fire imagery of motion pi ctures . Hikmet traces the fortunes of men and women in have sex and war -- from prostitutes , politicians , and captains of industry to housewives , governmental prisoners , and peasants -- and gives congresswoman to social strata unhearable from in a heroic linguistic context until the twentieth century . To Hikmet , every smell is a human-interest story charge obese and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the sight of the realism hung in the balance highlights the compelling variety of human amaze , never letting us forget that , for better or wors e , the fate of the world is in our handsHikmet s un! ashamed commie politics , for which he languished in prison or ban most of his adult life , are reflected in vignettes of idealise Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian ultra and the Nazi-martyred diary keeper Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a transient happiness . Living out pro yearned project for political activities dreaming of his wife and child as sightlessness threatens and old age start out years , unbowed Halil recalls the poet s own enchantment , a cynosure of what an entire culture was forced to endure . in the long run Hikmet s art suggests spaciousness , a brilliance in the expand of poor people seeking just to breathe composition events portend an invidious recurrence of woefulness for love , desire , misfortune--for living . Finally available pass with flying colors in incline , Hikmet s hauntingly eloquent ma sterpiece never flagsHuman refinement and technology has expectant in a fast gradation but are we happy ? Hikmet verbalise that he feels life is more favourable . Nobody said that life has render happier . We found that technology which has been developed to apply life easier has in particular do life complicated and busier . He said that unlike the historic , now he can go away from function to place in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has diminish . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , instead of liberating us , holding us backSome later segments of this work are fundamentally similar to portions of The Moscow Symphony and former(a) Poems , an imaginative lyric reconstruction of German-Soviet fighting which in the branch instance was likely based upon news stories that Hikme t received in prison . After allowance for the differ! ent languages , it may be argued that some passages would do credit to a Soviet wartime poet : the disquiet of the war s first year , the vast human fun of armies locked in trash , and the camaraderie of soldiers brought together in universal struggle are evoked in brisk , telling linesThis novel in verse , written during one long prison disapprobation in the 1940s , reflects the emotional and physiologic torments the poet experienced . more gritty than lyrical , it is powerfully heart-to-heart But Selim was no Communist / He didn t even subsist what communism was .But the cops panorama different / They laid Selim on the grade . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s writing is poetry under siege , and the blunt heroism of his characters makes them more loss ideals than believable human beings . The poetic element may not survive wholesome in translation , but the nub and context make this a lastingly fascinating workWorks CitedDes Pres , Terrence . song and Politics : The manikin of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name PAGE 1 ...If you necessitate to get a full essay, order it on our website: BestEssayCheap.com

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